Robert Wyatt – Cuckooland (2003)
Robert Wyatt, one of the founders of the Canterbury scene, and denier that it was ever really a thing, has long been someone whose music I have admired, even if I've struggled at times.
His ability to remain unconcerned about critical acclaim and selling shedloads of records, led to a steady, if sporadic output until his retirement from music over a decade ago.
This is an album of minimal production, great simplicity, and dark, sad themes. It feels intensely personal, which doesn't always make for easy listening, nor at times, particularly engaging.
It's divided into two halves, with a 30 second break in the middle "...for those with tired ears to pause...", so let's dive into the first half.
Highlights are the opener, Just A Bit, a gentle tune with wind and keyboard accompaniment, the Gallic bar feel of Old Europe, Forest, probably my early favourite, with a gentle swing and guest appearances from old mates David Gilmour and Brian Eno. Beware is a sinister song, where Wyatt duets with writer Karen Mantler, while Cuckoo Paradise drags, and a solo piano playing of the standard, It's Raining feels pointless. But the first half ends with the powerful Lullaby For Hamza.
After the tired ears have been rested it's back with the smooth jazz of Trickle Down, followed by Insensatez, gentle and peaceful. But I'm finding the second half harder work. The more upbeat sound of Lullaloop (Paul Weller on guitar) is a welcome break, but sadly, most of the rest just flashes by without making much of an impression,
Wyatt is a national treasure, a man who has given us more fine music than most. Sadly, I don't think this album is his finest moment. There's plenty to enjoy, but plenty that just feels underwhelming.
3* - just - the downbeat feel of the album fails to inspire
Comments